New frontiers in chicanery!
Jason Anderson of Toronto's Eye Weekly has some very nice things to say about us in an article about the Neistat Brothers:
My favourite DVD purchase of the last few months (besides Bum Fights, of course) was Automatic Vaudeville's Hi-Class DVD Vol. 1, which culled highlights from the micro-movie studio's output since 1998 -- see www.autovaud.com. These Montrealers have created a terrific trove of mockumentaries, parodies and Guy Maddin-like homages to cinema's undeservedly discarded genres. At the group's debut Toronto performance at the Drake Hotel last November, the audience was enraptured by two screenings of Schandfilm (a.k.a. "Shamefilm"), a hammy piece of silent-film surrealism that played like a lost collaboration between Maya Deren and Mack Sennett. Schandfilm was accompanied first by the filmmakers' live a cappella score of whoops, coos and shrieks, then by their penetrating commentary on the work's oh-so-provocative symbolism. In this inspired combination of amateur filmmaking and primo live comedy schtick, Automatic Vaudeville suggested what kind of chicanery is possible now that the means of production have become so readily available. It was a moment worthy of the Golden Shears.Thanks, Jason Anderson!

The latest (and straightest!) talk about town is that Automatic Vaudeville is just days away from announcing a date and venue for its next
If the memo is to be believed, AVS management has been unsatisfied with the studio's most recent trailer output. "While we have honed them technically to the point of near-mastery," the document reads, "some of the larfs have been lost." The solution, according to the memo's mysterious, sexy author? "[To] revive the comic energy of the Tomato Boys..." (The excerpt ends at this point, leading some to comment that perhaps it is just that--the "comic energy"--that the studio seeks to revise, not the characters themselves. As representatives would not respond to autovaud.com's request for comment, the exact nature of this point remains unclear.) What is clear is that the memo's sexy author outlines four points for consideration in the creation of future trailers: "funny accents," "madcap antics," "de-emphasizing plot," and "continuing characters" (emphasis ours).
